Study Guide and Sample Questions for The Supremes at Earl's All-You-Can-Eat
Please be aware that there are "spoilers" in the study guide and questions below which will reveal several plot elements of the novel. You can visit any of the other pages on this website (links are at the top and bottom of every page), or read an excerpt from Chapter 1, but you might want to wait and view the rest of this page only after you have enjoyed the book!
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Here is a docx file of Edward Kelsey Moore's bio, including a shorter and longer version. You can tailor the bio for your situation or use it as-is.
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From the Vintage-Knopf author's pages...
About This Guide
The introduction, discussion questions, and suggested further reading that follow are designed to enhance your group’s discussion of Edward Kelsey Moore’s marvelous debut novel, The Supremes at Earl’s All-You-Can-Eat.
About This Book
Filled with warmth and unforgettable humor, The Supremes at Earl’s All-You-Can-Eat tells the story of three remarkably resilient women: Odette, Clarice, and Barbara Jean.
Moving back and forth between past and present, the novel orbits around Earl’s All-You-Can-Eat diner, the first black-owned business in Plainview, Indiana. Clarice, Odette, and Barbara Jean (dubbed the Supremes by their friends) gather at the diner every Sunday to gossip, to hear the latest news of each other’s lives, and to comment on the town’s more eccentric characters, such as the consistently errant fortune-teller Minnie, Clarice’s ridiculously self-important cousin Veronica, and Veronica’s donut-addicted daughter Sharon. Earl watches over the Supremes from high school onward, and his diner represents community for these women, a meeting place that holds their lives together and offers solace, good humor, and support when it is most needed.
As the narrative weaves from past to present and more of the friends’ histories are revealed, the lives of Odette, Clarice, and Barbara Jean take on greater complexity. Their stories are filled with hard choices and dramatic incident. Clarice gave up a promising career as a concert pianist to marry former football star and charming womanizer Richmond, whose infidelities grow more brazen every day. Barbara Jean struggles with alcohol after the death of her husband, Lester. That death has reopened the wound she suffered when her son, Adam, was killed—run down by the racist brother of a white man she had loved long ago, and still loves. And what Odette thinks are lingering symptoms of menopause are not just hot flashes, but a more life-threatening disease. Fearless in her life, Odette now must face the very real prospect of crossing over to the realm of ghosts that her mother inhabits.
Their lives continue to test the Supremes’ spirit and resolve, yet these three extraordinary women rise to the challenge, and in the midst of their various trials and travails they never lose their sense of humor, their deep affection for one another, or their abiding capacity for joy.
1. “The Supremes at Earl’s All-You-Can-Eat is rooted in the fond memories I have of a childhood spent eavesdropping on the women of my family as they talked at family gatherings. Even when I was too young to fully understand the often very adult subject matter of their conversations, I was struck by how quickly the topics veered from heartbreakingly tragic to wildly hilarious...
My intention in writing The Supremes at Earl’s All-You-Can-Eat was to celebrate the joy of true friendship and to invite readers to remember the smart, funny and strong women in their lives.” —Edward Kelsey Moore
Do you think the author has accomplished what he set out to do? Does he, a man, convey the feelings of women accurately and convincingly? In what ways is he especially knowing about women’s feelings?
2. Odette was born in a sycamore tree. Barbara Jean was born on the wrong side of the tracks. Clarice was the first black baby to be born in an all-white hospital. How do the circumstances of each woman’s birth shape her choices as an adult? Their interactions with one another? Their relationships with their husbands?
3. When things get tough for the Supremes, they often see the funny side of the worst moments. Moore has a lot of fun with cousin Veronica and her donut-eating daughter. In what other instances do the Supremes use humor to help them survive?
4. Odette, Clarice, and Barbara Jean are best friends, but they’re quite different. What is a defining moment in each of their lives?
5. Commenting on “the tender considerations that came with being a member of the Supremes,” Odette says: “We overlooked each other’s flaws and treated each other well, even when we didn’t deserve it.” What other qualities make the friendship among the three women so extraordinary? In what ways do they help one another?
6. The chapters alternate between Odette’s voice and an omniscient third-person narrator. What is the effect of this in storytelling? Why does Moore choose Odette as a narrator rather than Clarice or Barbara Jean?
7. Ghosts appear throughout the novel. What does Odette’s mother’s voice add to the story? What kind of personality comes through? In what ways does she represent a voice of wisdom, and can this be helpful or aggravating to Odette?
8. One of Dora Jackson’s beliefs is that “what we call miracles is just what’s supposed to happen. We either go with it or stand in its way.” What seemingly miraculous events occur in the novel, and why do some characters choose to “go with it” and others “stand in [their] way”?
9. Earl’s All-You-Can-Eat is the first black-owned restaurant in Plainview, Indiana. What role does place play in the novel, and how does the diner shape the lives of the main characters?
10. The Supremes grew up in tumultuous times. How was each one of them affected by the major social changes for African Americans, as well as for women, that occurred over the course of their lives?
11. How are the men who love the Supremes—James, Richmond, Lester, and Chick—each a reflection of the woman he loves? And what does each husband give to the woman in his life that she treasures, despite his failings?
12. Why does Clarice decide not to move back in with Richmond, even after he feels they’ve patched things up? What other changes do you see in Clarice after her separation from her husband, specifically in her relationship with music and religion? Do you think she will follow her dream as a musician?
13. Do you think that after a life of hard knocks, Barbara Jean will finally find happiness with Chick? Or is she destined for more tough times ahead?
14. Whether alive or dead (or a ghost), the mothers of the Supremes play a major role in their daughters’ lives. As the Supremes grow older, how do their mothers continue to exert an influence on their adult lives? Who is hurt most by it? Who is helped by it? Who is most like her mother as she gets older?
15. Odette, Clarice, and Barbara Jean each attend three very different churches. In what ways did growing up in these particular churches help to shape them into the women they ultimately became?
About This Author
Edward Kelsey Moore lives and writes in Chicago, where he has enjoyed a long career as a cellist. His short fiction has appeared in Indiana Review, African American Review, and Inkwell. His short story Grandma and the Elusive Fifth Crucifix was selected as an audience favorite on National Public Radio’s Stories on Stage series. The Supremes at Earl’s All-You-Can-Eat is his first novel.
Eric Jerome Dickey, Sister, Sister; Bebe Moore Campbell, Your Blues Ain’t Like Mine; Fannie Flagg, Fried Green Tomatoes at the Whistle Stop Cafe; Robert Harling, Steel Magnolias; Zora Neale Hurston, Their Eyes Were Watching God; Sheneska Jackson,
Li’l Mama’s Rules; Terry McMillan, Waiting to Exhale; Eudora Welty, The Collected Stories of Eudora Welty; Kathryn Stockett,
Visit at www.edwardkelseymoore.com.